Obs compressor ratio reddit. Too high values will lead to "waving" sound.

Obs compressor ratio reddit So for example, a Ratio of 5:1 would mean that any speech that exceeds the threshold and gets compressed, would only end up exceeding the threshold by 1/5th of its volume. My normal speaking on mic is about -35dB so I set it there yours may be -20dB so set it there. Compressor doesn't do that but I can't get the compressor to do what the limiter does by bringing the loud voice down A compressor does the exact same thing, just more gentle. Shave off the highs to also give the feel of warmth. Jul 30, 2018 · Ratio (X:1) : defines compression ratio of the input signal. Set the ratio to 2:1. A good starting ratio is 3:1. I have the desktop audio set to around -7db and I have a compressor on my mic. ) are very distorted. That filters out unwanted noise. Mine is at +7db, when I'm loud I get about -15db of compression) I'm thinking it's a compressor issue (I suck at troubleshooting audio so could be completely wrong lol). Set this to your microphone source from the drop-down menu. At least not if it's mixed together already. Try hitting the track with 3-4db gain reduction, use makeup to bring it back to level, then throw another comp after it using same technique. 976 (23976/1000) FPS Color space : YUV Chroma subsampling : 4:2:2 Scan type : Interlaced Scan type, store method : Interleaved fields Scan order : Bottom Field First Compression mode : Lossless Then as I said I have a Compressor on my audio feed that ducks against my Mic, and another on my background music that does the same. 00 Mic is a Samson Q2U (over USB) and my current processor chain is: Noise Suppression -> Noise Gate -> Eq -> Deess -> Compressor. Display aspect ratio : 4:3 Clean aperture display aspect ratio : 4:3 Frame rate mode : Constant Frame rate : 23. Restart OBS Start your stream/recording for at least 30 seconds (or however long it takes for the issue to happen). This post focuses on what a compressor is and how to set up the free OBS compressor audio filter. Hit it as hard as you want - everything just becomes a pancake. It is harder to encode, but for a GPU it doesnt matter as much since its hardware accelerated. Alternatively, a dry level slider could serve a similar function. One main reason that won't work, assuming it's a filter in OBS. Properties Hey everyone. On the bottom of the comp, there is a selection for Side-chain input. I'm reading conflicting answers through google when it comes to bit rate. Play around with the threshold to achieve the desired amount of ducking. The important part is setting the threshold correctly to your voice, a good threshold for a natural speaking voice to trigger ducking is around -30 to -40 dB but you also want to make sure the ratio you apply is low, between 1. A limiter is like no net at all, its the concrete. Ratio = 3. Anyone who happens to know their stuff got any advice? been getting back into streaming but long story short i feel like i can always hear the compressor filter lowering my voice when it gets really loud. Mic capsule > preamp > A/D converter > OBS > OBS's filters If the clipping occurs before the audio gets to OBS, there's nothing a compressor or limiter will do to fix it. Maintain 10:1 ratio and -20 to -30 db gain. Set the threshold to -30, the ratio 6:1, attack 1ms and release 250ms. I'm using OBS studio with a Modmic Uni. You want the volume around -6dB so try setting the threshold around there to begin with. REAPER has one in the ReaJS plugin, Load up Stillwell/Expander ex. “ATTACK at 6ms. A ratio value of 1:1 means that no gain reduction will be applied since the input level is always equal to the output level. Nifty (free) set of plug ins if you don't own a mixer and want to EQ live streams or even do compression. Also It’s basically a comment I made in a previous post to get the best settings for any mic using OBS Filters! Jun 18, 2022 · Compressor is not from OBS so you can find lot's of information online. 20db (may look high but I'm really happy with this setting) limiter (threshold -3db, release 60ms) Sorry to be morbid, but you can look at a limiter versus a compressor like jumping off a building. anyone have any thing to improve our audio please shar it ^^ -g sets max GOP size, max keyframe distance, going bigger should not hurt compression efficiency, but FFV1 interframe compression sucks anyway, and I've read that going beyond 16 frames barely does anything. So that's a pretty good ratio of working as desired to taking out too much. When setting up OBS I set my canvas to my monitors size, 3440x1440. At the bottom, set the source trigger to your mic. The higher your ratio value, the more aggressive the compression will be applied. It's similar to hard-clipping (the "bad" one), but instead of just instantly clipping off the signal when it passes the clip ceiling, there's a soft knee that extends below the ceiling. A compressor is like jumping into a net, a trampoline, a foam pit, or a. A compressor is kind of like a soft, squishy limiter. Bonus, setup an obs default compressor on the game audio source, look for the sidechain input selector, set it to your mic. That way the Compressor knows which other source to listen to and apply the effect. Yeah, unfortunately compression and audio in general is HIGHLY specific to each set up. A compressor will give it a nice bass sound, a limiter will help with preventing your mic from destroying someone's ears if you yell and a noise gate to mask any surrounding sounds like a fan or keyboard clicking. The current compression settings are as follows: Compress ratio: 0. It will let loud sounds through, and it will dampen the volume if it exceeds the the threshold that you set. Apr 6, 2020 · Ratio: 32:1; Threshold: -40dB; Attack: 250ms; Release: 500ms; Output Gain: 0dB (default) The important bit is set at the bottom, which which we can pick a Sidechain/Ducking Source. It doesn't require a lot of ducking to be effective, my ratio on the ducking is at 2:1. A brick wall limiter is a compressor with a ratio capable of infinity to one, meaning nothing crosses the threshold, ever. 5:1 on its own won't do much to stop them peaking when they scream directly into the mic. The default obs compressor is the only way to achieve this, and is otherwise useless. Make sure you replicate any issues as best you can , which means having any games/apps open and captured, etc. My compressor ratio is 4:1, the threshold -18db, attack 5ms, release 60ms, output gain 1. I use compressor with discord because people tend to scream or do funny noises. (21:9 aspect ratio) most folk watching your streams/videos on YouTube will be watching in 16:9 A ratio of 3:1 or lower is considered gentle, a ratio of 5:1 or more is considered hard, and a ratio of 10:1 or higher is defined as a limiter. Name this particular compressor something like "Ducking Comp". Personally all I do on the master channel is add an SSL compressor doing "nothing". That's more of a limiter than a compressor and is a bit extreme. Next one is the Ratio. Anything more is extra. Presets. You can't change the relative ratio when both voices are speakign at the same time. That way if you scream, it's a little louder than shouting, but not much louder. Also It’s basically a comment I made in a previous post to get the best settings for any mic using OBS Filters! Compressor is not from OBS so you can find lot's of information online. Keep them bo The ideal setup would be a low ratio doing the general levelling work followed by a 2nd compressor with a high ratio, 12:1 or so, with a high threshold (or even hard limiter) to catch the peaks. Then I spoke softly and increased my gain till it was in Yellow in streamlabs. Jan 12, 2022 · Ratio: The amount of compression or gain reduction to apply to a signal that is above the threshold. Compressor (ReaComp, set threshold with meter so it is activated with louder parts of speech, 5:1 ratio, 30ms attack, 60ms release, important to use the output called "wet" on ReaComp to boost the compressed audio so that it's at the top of the output meter without hitting red. I'm new to obs and am trying to find the best settings to record. Exact same idea as the knee on a compressor. Outside of this I don't have any other filter on my mic. So, any time the gain reduction changes, meaning when the compressor goes up another 10dB while already above the threshold, the new -5dB gain reduction (if a 2:1 ratio) still relies on the attack and release values. 5 or 2, attack to 1, release to ~60ms, gain untouched (0). You may keep it at 6ms. A limiter as part of your processing, though, will always get a thumbs up from me. You should use a vst compressor for normal compression duty. 100 Floor: -32. Apr 15, 2021 · This post focuses on what a compressor is and how to set up the free OBS compressor audio filter. 850 Compression hardness: 0. And the important part after squashing it down is to use the compressors out put as your final volume boost and control of your mic volume. At the bottom of the compressor, set the sidechain input to microphone source. When using a Limiter it should be the last filter in your chain. Compressor and EQ Add them to your mic source in OBS Compressor settings: ratio 4:1 move the threshold so it kicks in when you speak at medium volume EQ settings: raise bass a bit, lower around 400 hz then raise a bit around 2000 hz After that: Turn on Audio monitoring in OBS for your mic so you can hear yourself. Too high values will lead to "waving" sound. Oct 26, 2020 · A good starting ratio is 3:1. Grab ReaPlugs by Cockos. If you mean for your audience, add a default OBS compressor filter to your game audio source. Works like Auto Expander but has Attack A compressor is a filter for our microphone, With help from an audio engineer here on the twitch reddit, AMV, we now have a better understanding of what it is. This one determines with what factor the compressor dampens your speech, when you exceed your -10dB Threshold. My music does not become Order is critically important. I added a compressor and kept ratio to 4. Yeah it applies to vocals too, although don't have the attack too fast or you lose the character. A typical compression ratio is 2:1, with 4:1 being pretty extreme for very loud cases (usually more for musical applications). . A limiter is a special type of compressor with a very fast attack and a very high ratio. This app lets you choose between compression speed or video quality. A good way to test settings is make a test recording with a music player paying music to simulate game noise and set everything to the lowest setting and test about 30 secs with varying noise and volume then switch it all to the highest settings and do the same. Any advice much appreciated. If people want the highest quality, you want the loudest and highest source material that you can get without crossing the inability to record ratio (that means, when the bar completely fills). ) I highly recommend avoiding the included OBS compressor and gate. First your expander. Therefore OBS sees only 2 inputs, MicFx and Everything else. Set the threshold somewhere from -24 to -34, ratio to 1. Expanders and gates get rid of noise when thing get quiet. Get a couple of (free) VST audio plugins. Note: you find this by turning off compressor by clicking eyeball and talking at a normal volume and look at the meter dB level. On the crowd mic, set the duck-pressor up with a -30db threshold, an 8:1 ratio, attack time of 1ms, release time of 200ms. Posted by u/mmc227 - 11 votes and 13 comments You add an OBS Compressor filter to the Desktop audio channel. The reason for this is to have better control when using the compressor as a sidechain ducker. it helps to have the metering capability of the compressor as you re-amplify the signal towards 0db. Some say a 1080p video should be between 4000kbps and 8000kbps some say 10000kbps to 15000kbps and I've even read that for recording I should use something called CRF or CQP level that will use 16-22. Compressors second: Set threshold just beneath your highest peaks, Ratio 4:1, Fast Attack, Slow Release, Bring up Makeup Gain to make overall track a good level. 10:1 is basically turning it into a limiter, putting an almost hard stop on the upper volume. The game devs have set the audio levels on their games to be at the levels they’re at for a reason and I feel no reason to compress that. Try this for starters: Something like: Ratio 1. After using the compressor, I noticed in all of my movies, any explosion sounds (chamber doors slamming, deep bass etc. Noise suppression will help with noise while you talk. I've been playing around with the Reaper VST plug ins for OBS, and I prefer the native OBS noise reduction to its noise reduction (which creates a sound profile oh your room "quiet" and even cancels out that same pattern). a super-dense foam pit (depends on ratio). (the compressor's make-up gain is included in the processor, a fundamental part of compression, as you're likely smashing the dynamics. You need to make sure you've set the sidechain/ducking source to your microphone in OBS. OBS has a built in limiter you can use so you can dial in the gain just right but still keep the levels even with the game audio. Set to 99999 if you want. An expander is the opposite of a compressor. Then I would use the gain, and finally the compressor. Same quality video will take like half the file size. Noise Suppression is the OBS native filter, the rest are Rea filters. A typical broadcast voice compressor is set to around -30db, a ratio of 5:1, an attack of 10ms, a release of 80ms, and output gain - this is the part people miss the most- needs to be INCREASED between 5-10db. (select your alerts audio channel here) Experiment with the threshold, but somewhere around -24 to -32db is normal. The intensity of the dampening is controlled by the ratio. Make a lot of short recordings and then play them back in VLC or something so you can listen to the results. In compressor terms, a clipper (hard or soft) has an infinite ratio, zero-ms attack and zero-ms release. Compression: apply ratio to reduce gain until release is done - less volume, denser but less loud, transient is loudest part Upward compression: apply ratio to reduce gain and make up any gain reduction - same-ish amplitude but more body and loudness, transient is more equal to tail I never use a compressor on the desktop audio. Can be described as "smearing" the audio as it gets louder. The distinction is that both attack and release apply while the compressor is above the threshold, and not solely when crossing the threshold. 5db which will result in a more balanced less You can use the built-in OBS filters, or you can use Molotok or Kotelnikov to do it all in one go. Expanders are good for reducing noise by reducing levels below the threshold. Thus, you may want to set it up to 20-30. example . There are others settings like removing audio, discord mode, selecting the folder where you want to save the resulting videos and many more options. Preview Filter will allow you to hear the filtered frequencies, from there you adjust to find the most grinding part of your "ess" You will still need ratio, like 4:1, and bring down your threshold to around -30dB for now and keep an eye on the gain reduction. That's it. Normally you cut eq BEFORE compression in the mixing world but this is definitely one of the times that I find myself doing the H265 has much better file size to quality ratio. I increase the ratio to 55:1 with on effect. Leave the other settings alone for now. Hold is how long the compressor holds onto the quieter signal before it let's go and is below the threshold again. There are two parts to compression, the compression itself, and the make-up gain to restore volume to the signal after having reduced it. If smaller max GOP leads to better compression that's just a sign of unoptimal automatic keyframe placement. The compressor and limiter thresholds are essentially doing different things. For example, 2:1 will be a weak compression (this translates to an audio level 6dB above the threshold will be 3dB above after the compression), while 6:1 will be a much stronger compression: 10. 5:1 and 2:1. Here are the default OBS Compressor filter settings that I use (it's the default ones, I haven't bothered tweaking it lol) Not sure it this will help or not but worth a shot Ratio: 10:1 Threshold: -18db Attack: 6ms Release: 60ms I also have filters on the mic on OBS, they are as below. Then I did the opposite with threshold. Now, add a compressor filter to your mic (you could graduate to using VST fx, but for now we will use the horrible included compressor to demonstrate). Upward compressor lets go of the audio as it gets louder, instead. Set the attack time to 2ms or so because you're trying to squash sudden loud noises. A gate is a downward expander with inf:1 ratio, a limiter is a type of compressor with inf:1 ratio. Compressor, use reacomp vst, ratio 5:1, attack 30ms, release 100ms, set the threshold low enough so the it reduces your speaking volume to about - 12 dB. 0 has 6 parts; Ratio. 9 and no sidechain/ducking source. I do not recommend a compressor unless you occasionally scream into your mic. This post focuses on what a compressor is and how to set up the free OBS compressor audio filter. Ideally you dont work in a noisy environment, but if you do, and dont want noise in your background, use noise suppression. Expander: Low ratio and release time, good for light noise reduction; Gate: High ratio and release time, will gain reduce a signal similar to a gate; Detection My own mentality, which i tell others, is to consider how digital vs analog works, how lossy compression vs loseless compression works. Limiters are compressors that hard wall the volume to the threshold you set. You don't want to use normal compression on program/game audio, as the sound of a compressor folding full-range audio downward is not desirable. That high compression will flatten out and distort the voice. That said, if you're dead set on solving the issue through filters or processing, a compressor is gonna be the primary key. If you set the ratio to anything higher than 10:1, you are basically using the compressor as a limiter. The compressor threshold is the level the sound must reach before the compressor reduces volume, so if your voice goes above that db level the compressor will reduce it by the ratio amount. I’d personally ditch the limiter, with a good 4:1 ratio or so on your compressor with the levels hitting the yellow area you’ll never realistically get too loud to handle. Those two will not be hitting at exactly the same time because the timing controls are set differently. 1. Get the Reddit app This is the ratio of compression or Compressor and Limiter are audio effect filters built into OBS/SLOBS that reduce any audio over a threshold by a specified ratio, squashing or compressing your dynamic range of the signal. Attack (ms) : defines front length of the sound signal, in milliseconds (how fast filter reacts on volume level change). 5 Thresshold -15 Ouput Gain 2 Attack default Release 40 This should give you smooth compression rather than a dramatic crushed peak. to add: set the threshold to at least -35db for starters, the ratio to ~4:1, the attack time to 1ms, and the release time to around ~200ms. I generally like it around 6:1. OBS Compressor & Limiter EXPLAINED! - YouTube (39) OBS Noise Gate and Noise Suppressor - YouTube (39) OBS Audio Ducking EXPLAINED! - YouTube. Problem, I see no evidence of the compression on the VU meters in OBS. So my suggestion is set ratio to 2:1 and reduce the threshold. Whichever you choose, adjust the compressor ratio, threshold and gain such that your normal speaking voice falls within the yellow and loud reasonable sounds don't go higher than the transition from yellow to red. 00:1: Threshold May 23, 2017 · It's not quite as much compression as a full limiter but it should help. 1 as a proper compressor with the following to start: Threshold: -24dB to -16dB Ratio: 3-4:1 And the other as a limiter with the following to start: Threshold: -6dB to -3dB Ratio: inf:1 EposVox has some great tutorials on his YouTube channel. You'll want a high threshold, middle-ish compression ratio, and a quick attack and release, which should, hopefully, lower the volume for just a moment. Here's the compressor settings I use for game audio: Ratio: 3:1, Treshold: -25Db, Attack 5ms, Release 50ms. Noise gate; Close -40db, Open -35db, attack time - 25ms, hold time - 200ms, release time - 150ms Noise suppression -25db Compressor; Ratio - 3:1, Threshold -20db, attack 1ms, release - 50ms, output gain - 0db, sidechain - none Gain - 12db The thing is, trained noise suppression does such a good job of keeping out 90% of unwanted sounds, it's hard to beat, as you're also just talking normally 99% of the time (roughly). Jan 12, 2022 · In short, an expander makes quiet sounds quieter and typically would be placed near the end of your filter chain, after any compression/other effects but before a Limiter. Set the ratio to 6:1, the threshold to -30, attack to 10ms, release to 100 ms, and now the least understood part: Output gain. The compressor in OBS Version 21. I have also been fooling around with adding second compressor with ducking, but it's hard to get the settings right. Compressor: This filter is the one you have to tweak the most, depending on your voice and how loud your mic is. Sep 11, 2017 · Next one is the Ratio. after this is done the Output gain will boost all of the incoming signal by 2. Compressor: Ratio: 10:1 Threshold: - 18 Attack: 5ms Release: 90ms Output Gain: 0 dB Sidechain: None Gain: 11 dB Noise Gate: Close Threshold: -57 dB Open Threshold: -37 dB Attack time: 25ms Hold time: 200ms Release time: 150ms Noise Suppression: RNNoise Name it "Alert Ducking Compressor". I have a compressor but usually do not use it on my mic. ” This is how fast the compressor should kick on and compress in real time. That works fine, however the more compressor filters I'm adding the lower the volume gets of Spotify. Sep 18, 2024 · I would like to see a "maximum gain reduction" (sometimes called "range") slider added to the OBS compressor. Then add another compressor with a 10:1 ratio at about -10db threshold; this acts as a limiter which prevents your voice from peaking. You hear it smush the sound, I'm sure you know what I mean. ReaJS - SStillwell/Auto Expander - 2nd best plugin for Noise Suppression, gain reduces at a ratio like a compressor but below the threshold instead, no control over release so noise still fades out. Turn it into a ducking compressor by selecting the audio channel it is side-chained to at the bottom of the compressor properties. A compression of 1. The default settings are generally pretty good in terms of attack and release, but my suggestions (based on a lot of experience mixing music and playing with OBS settings): Ratio: the default, at least in OBS, is 10:1. 1080p60 H265 isnt going to slow down your 6600XT. Attack is how quickly the compressor turns on and starts actively compressing the signal. Note that only the built-in OBS compressor has side-chaining capabilities. I give you a starting point, but then you have to listen it back and see how it sounds like. With a ratio value of 2:1 for instance, for every 2db of input signal that exceeds the Threshold, only 1db will be outputted. I had to go check it out, I was wrong about the numbers its actually ratio: 14:1 threshold: -40dB output gain: +8dB attack: 40 m/s release: 120 m/s This is a much better way to "duck out" the game audio. I am sure that smarter people than me could provide an example of a situation where that makes sense but I do not use one. I have set up a compressor in the OBS mixer. 00:1 Threshold = -20 dB Attack = 6ms Release = 60ms Jan 12, 2022 · Limiters are used to prevent an audio signal from peaking above 0dB which can cause clipping and distortion. Compressor and noise gate obviously also a part of the chain but shooting a slightly boosted low end eq curve into the compressor causes a different end result. No matter how much i mess around with the threshold and the gain and ratio i cant seem to get rid of the sound completely. I have the following audio filters switched on: Compressor (ratio 10:1, Threshold -18db, attack 6ms, release 60ms, output 0db) noise suppression (speex, suppression level -30db) gain 23. I'd then use 2 instances of ReaComp. When in doubt, use presets: It’s better to use your software’s presets than to change a load of settings without being wholly sure of what they do. I can still hear my keyboard clicks and a sound that i can only describe as a sort of muffled ringing/feedback sound which i think may be from my fans. Select the Microphone channel here. Abelton's Bus Compressor is an SSL for all you Abelton users, The Glue is a great VST version and for my fellow Reasoners the mixer has a built in one, and an RE version (personally I like the built in Reason one the most). ReaJS - SStillwell/Expander or Downward Expander - Arguably the best plugin to get rid of background noise. The Ratio is how much compression is done do the audio source. This is used for audio ducking providing 4 db of reduction when the MicFx input is above -35 db. However, the basic use of the filter is to lower high gain volume and increase low gain volume to balance between them. Here's my second compressor settings with ducking: Ratio: 2:1, Treshold: -25Db, Attack 3ms, Rlease: 20ms. If that's not your problem, here's my compressor settings for reference: (vanilla OBS Studio compressor) Treshold at -20 (slightly above my normal speaking volume) Ratio set to 10:1 VSTs are the way. Aim for the fader to reside around -12 on everything you want in the "front" so to speak for audio, and everything else around -16 or -18db First compressor to control spikes at higher ratio and faster attack/release, second with lower ratio and slower atk/rel for overall glue/smoothing. Set the ratio to ~3:1, attack at ~5ms, release at ~60ms, threshold depends on how high your mic signal is, but somewhere between -20 and -35db. These starter settings will gently and quickly duck the game audio under your mic as you speak, and pop it back up 250ms after you stop. noise suppression: -30db noise gate: close -52db open -40db limiter: -6db compressor: ratio 3 to 1 threshold -18db attack 6ms release 60ms output gain 4db my friend really thanks you for what you said about his video and work and also for subscribing lol he's just hoping to get even better at it Ok so i have 2 compressor on the Spotify in obs, one is ducking to my mic, other is ducking to alerts. I made sure there is no clipping, as this is what the distortion sounds like.